Map What PR Actually Needs to Do Right Now
Fundraising visibility, a product launch, ongoing trade coverage, and crisis readiness all call for different levels of daily involvement.
After a Series A, PR stops being optional and starts being a real line item. The choice is usually between hiring a single in-house comms person and working with a PR agency — and the right answer depends on what the company actually needs done in the next twelve months, not on which option sounds more serious.
Both options can work at this stage. Neither is automatically right. The difference comes down to speed, existing media relationships, and how many things need press attention at once.
A single dedicated person, usually a comms manager or director, embedded in the company full time. They know the product and the team deeply, but start without existing press relationships and need time to build them.
A team working on retainer, typically with existing relationships across trade and business press. They ramp faster on media contacts but take longer to learn the company’s product and internal context in depth.
Fundraising visibility, a product launch, ongoing trade coverage, and crisis readiness all call for different levels of daily involvement.
An agency with existing relationships can usually move faster in the first few months. An in-house hire moves faster on decisions once they're fully ramped.
If the company already has some press contacts from the founders' own network, an in-house hire has less ground to make up.
A fixed salary is predictable but doesn't flex. A retainer can scale with need but requires ongoing evaluation of what it's delivering.
A fractional or interim comms lead paired with agency support covers daily coordination and outside media relationships at the same time.
What fits at Series A often doesn't fit at Series B. The right setup is stage-appropriate, not permanent.
| Situation | In-house tends to fit | Agency tends to fit |
|---|---|---|
| Fundraising narrative and investor updates | Founder controls the story directly | Agency shapes narrative alongside investor relations |
| Ongoing trade press relationships | Takes time to build from a single hire | Agency brings existing reporter relationships |
| Fast response to press inquiries | Immediate, no hand-off | Depends on agency’s response process |
| Building visibility from zero coverage | Slower without existing media contacts | Faster start, but still needs a real story |
| Multiple initiatives running at once (launch, funding news, hiring) | One person can get stretched thin | A team can split coverage across initiatives |
Most Series A startups land somewhere between these two extremes rather than at either edge.
A comms hire without a defined strategy ends up reacting to requests instead of building coverage.
An agency without existing relationships in the company's specific sector starts from close to zero, same as an in-house hire would.
Both options need ramp time. An agency's relationships still need to be pointed at this specific company and story.
An in-house hire needs onboarding time before producing results. An agency needs time to learn the product before pitching it accurately.
The right setup at Series A is rarely the right setup at Series B. Revisiting the decision as the company grows avoids getting stuck with the wrong structure.
Many Series A startups land on a hybrid: a fractional or in-house point person who manages the relationship and internal coordination, paired with an agency that brings outside media relationships and extra capacity. This covers the daily context an outside team lacks and the press relationships a single hire hasn’t built yet.
The in-house-versus-agency decision is one piece of a larger comms plan that also includes fundraising narrative, hiring visibility, and readiness for unplanned press attention. A sustained media relations program covers that ongoing layer once the structural decision is made. Getting the structure right makes the rest of that plan easier to execute.
After Comma works with Series A companies both as an outside agency and as a partner alongside an in-house hire, depending on what the stage actually calls for. Work usually covers:
Neither an in-house hire nor a PR agency is automatically the right call at Series A. The decision comes down to what needs to get done in the next year, how much existing media relationships matter, and how many things need press attention at the same time.
KEY POINTS
For most Series A startups, the decision is worth revisiting at each funding stage rather than locked in once and left alone.
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